Guitar tuning
Open D Minor Tuning
D·A·D·F·A·D
Open D minor is Open D with one note changed: the F# comes down to F, turning the open major chord into a minor one. Strum the open strings and you get D minor with nothing fretted — three D’s, two A’s and the minor third holding the whole thing in a dark, unresolved place.
It is the tuning of the Bentonia blues. Skip James learned it in Bentonia, Mississippi, from Henry Stuckey, and cut “Devil Got My Woman,” “Hard Time Killing Floor Blues” and “I’m So Glad” in it. Players call it “cross-note” because you cross a finger over the strings to reach the major third when you want it. Bukka White used it too, hammering from the minor third up to the major for a brighter feel.
How to tune to Open D Minor
From standard tuning:
- 6th (lowest) E → D (down a whole step)
- 5th A — unchanged
- 4th D — unchanged
- 3rd G → F (down a whole step)
- 2nd B → A (down a whole step)
- 1st (highest) E → D (down a whole step)
Open—Shape’s tuner listens for one string at a time and tells you which string it is and how far off — including in alternate tunings like this one.
What Open D Minor does well
- A minor chord with no fingers. The open strings are D minor — the darkest starting point of any common tuning.
- The cross-note move. Fret the minor third up a semitone and the chord turns major; slide between them for the signature Bentonia bend.
- Drone and dread. Like DADGAD or Open D, the low D holds a pedal tone — but here it sits under a minor third.
- Straight-barre minors. Barre any fret for another minor chord — the mirror of Open D’s major barres.
Common chords in Open D Minor
Open D minor is Open D with the major third lowered to a minor third. The shapes below are the easiest voicing the engine finds for each chord; tap to browse the rest.
Numbers read low string to high; 0 is open, × is muted.
A progression to try
A Dm–Gm–Am loop, the minor-key mirror of an Open D progression:
Songs in Open D Minor
- Devil Got My Woman — Skip James
- Hard Time Killing Floor Blues — Skip James
- I’m So Glad — Skip James
- Cross-note recordings by Bukka White
Players who use Open D minor
Skip James, Bukka White, Jack White (who cites Skip James as an influence), and blues and fingerstyle players after the Bentonia sound. A niche tuning with an unmistakable character.
Open a Open D Minor canvas — a tuning module already set, wired to a starter progression, every shape recalculated for you.