Guitar tuning
DADGAD Tuning
D·A·D·G·A·D
DADGAD takes standard tuning and lowers three strings a whole step, leaving the open strings spelling a D suspended 4th chord — two D’s and an A on the bottom, then G, A and a high D on top. There is no third anywhere, so nothing sounds committed to major or minor until you put it there. Struck open, it rings like a drone waiting for a melody.
The guitarist Davey Graham brought it to Western playing in the early 1960s, adapting it from the oud music he heard travelling in Morocco. Jimmy Page used it for “Kashmir” and “Black Mountain Side”; Pierre Bensusan has played almost nothing else for forty years. It became the house tuning of Celtic and British folk fingerstyle, and it turns up anywhere a part wants to ring and stay open.
How to tune to DADGAD
From standard tuning:
- 6th (lowest) E → D (down a whole step)
- 5th A — unchanged
- 4th D — unchanged
- 3rd G — unchanged
- 2nd B → A (down a whole step)
- 1st (highest) E → D (down a whole step)
Open—Shape’s tuner listens for one string at a time and tells you which string it is and how far off — including in alternate tunings like this one.
What DADGAD does well
- Drones. Three of the six strings are tuned to D. Let them ring and the tuning holds a pedal tone under everything you play.
- Suspended ambiguity. With no third in the open strings, a strummed chord sounds unresolved and spacious — the sound most people mean by “that DADGAD sound.”
- One-finger chords. Because the open strings already form a chord, most shapes need only one or two fretted notes. Several need none at all.
- Modal keys. D, G and A all sit naturally, and so do their modes — Mixolydian and Dorian colours come almost for free.
Common chords in DADGAD
Each shape below is the first voicing Open—Shape’s chord engine returns for that chord in DADGAD, low string on the left. Tap any one to open it in the app and browse the rest.
Numbers read low string to high; 0 is open, × is muted.
A progression to try
A plain DADGAD loop that shows off the open ring — the sus4 opens it, a G that keeps the D on top, an A, and home to D:
Songs in DADGAD
- Kashmir — Led Zeppelin
- Black Mountain Side — Led Zeppelin
- Black Water Side — Bert Jansch
- She Moved Through the Fair — traditional
- Much of Pierre Bensusan’s catalogue, and most Celtic fingerstyle repertoire
Players who use DADGAD
Davey Graham (who introduced it), Jimmy Page, Pierre Bensusan, Martin Carthy, Laurence Juber, Andy McKee, Kaki King, Artie McGlynn.
Open a DADGAD canvas — a tuning module already set, wired to a starter progression, every shape recalculated for you.